events in united kingdom — october

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UK Grime heavyweight Devlin takes over The Steel Yard, London this October.

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Comedy Carnival is London’s international comedy showcase, featuring award-winning comedians from across the globe. An acclaimed live experience with TV favourites and Edinburgh Comedy Award nominees, it’s known for an unapologetic edge and world-class stand up comedy. “Entertainment you can count on.” TIME OUT LONDON Visit comedycarnival.co.uk/covent-garden/ for the latest line-up information. For answers to common queries, head to our FAQs page.

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DJ Seinfeld Presents 'If This Is It' LIVE  DJ Seinfeld (Armand Jakobsson) has become one of the most versatile and respected musicians in electronic music today. Rising to prominence in 2016 as part of the lo-fi house scene alongside producers including Ross FromFriends and Mall Grab, the Malmo, Sweden-born producer and DJ released his debut album ‘Time Spent away From U’ in 2017. The record received plaudits from Rolling Stone and Pitchfork, as well as praise from Flume, Flying Lotus and Bonobo. His acclaimed second album ‘Mirrors’, released in 2021 on Ninja Tune, saw him hone a melancholic yet optimistic sound that took elements of the deliberately sepia-tinged lo-fi aesthetic of his early work and brought the sonics firmly into focus. Not only did it draw strong reviews and see Seinfeld front the digital cover of Mixmag, it also led the lo-fi house pioneer to play everywhere from Coachella to DC10.After taking his Mirrors live show to The Warehouse Project and Printworks, ‘MIRRORS (REMIXED)’ dropped in 2023, breathing fresh life into the original record thanks to reworks by a hand-selected group of artists he admired, including LSDXOXO, salute and Kiimi. He also debuted in the Mixmag Lab London, contributed a mix to The Lot Radio in New York, and gained a monthly residency at CircoLoco in Ibiza. One of Seinfeld's biggest commercial successes arrived in 2024 with ‘Now U Do’, his infectious Confidence Man collaboration that became a huge crossover hit and is now certified Silver in the UK. 2024 also saw several singles (‘Hopecore’, ‘If U Like Me’), while 2025 brought a number of collaborations (‘Are You In?’ with sogumm, ‘the one’ with ATRIP, ‘Please Be Mine’ with Kungs) and remixes for the likes of K-Pop group Hearts2Hearts. Seinfeld kicked off 2026 with fan-favourite ‘Plush’, marking an early preview of his third studio album ‘If This Is It’, out this summer on Ninja Tune. The club-ready single arrived after nearly two years of being played around the world in Seinfeld’s lauded DJ sets, prompting fans to hunt for it online and making it one of the most requested track IDs from his 2023 Mixmag Lab.

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 Welcome to Twist Museum, London’s ultimate illusion experience, where you can discover if you really see colors that don’t exist and explore what you’d look like as a 3D holographic avatar. This immersive playground offers 80 interactive exhibits designed to challenge your mind. See your friends shrink before your eyes, wander through endless corridors, and feel sensations that question your very perception of reality. Step into a world where reality comes with a twist. Grab your tickets now for Twist Museum in London!  

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 Welcome to Twist Museum, London’s ultimate illusion experience, where you can discover if you really see colors that don’t exist and explore what you’d look like as a 3D holographic avatar. This immersive playground offers 80 interactive exhibits designed to challenge your mind. See your friends shrink before your eyes, wander through endless corridors, and feel sensations that question your very perception of reality. Step into a world where reality comes with a twist. Grab your tickets now for Twist Museum in London!  

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 Welcome to Twist Museum, London’s ultimate illusion experience, where you can discover if you really see colors that don’t exist and explore what you’d look like as a 3D holographic avatar. This immersive playground offers 80 interactive exhibits designed to challenge your mind. See your friends shrink before your eyes, wander through endless corridors, and feel sensations that question your very perception of reality. Step into a world where reality comes with a twist. Grab your tickets now for Twist Museum in London!  

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Please Please You, Hey! Manchester & Brudenell Presents... Over the last three decades, Kristin Hersh’s prolific career has seen her heralded queen of the alternative release. Returning with a new solo record ‘Clear Pond Road’ released in September 2023, the album is a cinematic road trip; a series of personal vignettes from a fiercely independent auteur, plush with layers of atonal, edgy-dreamy strings and mellotron.   It’s a watershed moment in a career overflowing with creative firsts and inspirational thinking, an elegant piece of personal reportage. It’s a sensuous, life-affirming statement, a very personal memoir; it’s the a blossoming of a true icon of independence.  In 2018 Hersh announced a new partnership with Fire Records that made possible the release of her acclaimed tenth studio album, ‘Possible Dust Clouds’. Since then there’s been new releases from Throwing Muses (‘Sun Racket’, 2020) and 50Foot Wave (‘Black Pearl’, 2022) along with new book ‘Seeing Sideways’ (2022). “One of indie rock’s most fascinating figures” (The Guardian) Hersh has released over 20 solo records, with Throwing Muses and 50FOOTWAVE to date. She is the author of an acclaimed memoir — based on her teenage diary — about a particularly eventful year, titled “Rat Girl” (‘Paradoxical Undressing’ in the UK), which was named #8 on Rolling Stone’s “25 Greatest Rock Memoirs of all time.” She later released her albums ‘Crooked’ (2010), ‘Wyatt at the Coyote Palace’ (2016) and Throwing Muses’ ‘Purgatory/Paradise’ (2013) as groundbreaking books of music, artwork, essays and lyrics. NPR Books said of Hersh’s latest work, ‘Don’t Suck, Don’t Die’ about her friendship with the late Vic Chesnutt, “Not only one of the best books of the year, it’s one of the most beautiful rock memoirs ever written.”   Previously, the juxtaposition of light and dark has been essential to the drama of Throwing Muses and 50 Foot Wave, but this new record is something of a departure: more inward looking. Produced and performed by Hersh, ‘Clear Pond Road’ is quieter yet more outspoken, its inventive musical logic underpinned by the ambience of field recordings.  “Passion sounds less angry here, more grateful, I think,” Kristin says, “sweeter, sadder, and somehow no less alive. Honestly? It’s a love story and its erratic heart rate reflects this. As textured and raunchy as real life songs like these can get, the sonic vocabulary is delicate, so I had to respect that and keep it grounded with car engines and rain in New England, then whistling ducks and wind chimes in New Orleans. Which sounds wistful, like a blurry photograph.”  Currently in the studio working on the next offering from Throwing Muses, Kristin Hersh is also preparing for a three month solo tour to celebrate across the UK and Ireland before heading to Australia and New Zealand.  

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Bag Policy: Large bags including rucksacks are not allowed. There are no facilities to leave large bags or luggage. If you really have to bring a bag - and it's preferable you don't, please make sure it's small. Only one small bag per person is permitted and it must not be bigger than A4 size.

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For Accessible Tickets please contact the venue directly on 0161 273 7785 or via email at access@o2apollomanchester.co.uk. The accessible ticket policy limits one free carer ticket to each accessible ticket purchased. Patrons who have any questions about booking tickets, or require further assistance please email the venues dedicated disabled access team at access@o2apollomanchester.co.uk Tickets may be cancelled if misuse is suspected/found.

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Action! Presents: Fear Factory + Crystal Lake + Hate + The Nocturnal Affair Security -- Bag Policy: Large bags including rucksacks are not allowed. There are no facilities to leave large bags or luggage. If you really have to bring a bag -- and it's preferable you don't, please make sure it's small. Only one small bag per person is permitted and it must not be bigger than A4 size. Height: 28.7cm Width: 21cm Depth 15cm

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Please Please You, Hey! Manchester & Brudenell Presents... Over the last three decades, Kristin Hersh’s prolific career has seen her heralded queen of the alternative release. Returning with a new solo record ‘Clear Pond Road’ released in September 2023, the album is a cinematic road trip; a series of personal vignettes from a fiercely independent auteur, plush with layers of atonal, edgy-dreamy strings and mellotron.   It’s a watershed moment in a career overflowing with creative firsts and inspirational thinking, an elegant piece of personal reportage. It’s a sensuous, life-affirming statement, a very personal memoir; it’s the a blossoming of a true icon of independence.  In 2018 Hersh announced a new partnership with Fire Records that made possible the release of her acclaimed tenth studio album, ‘Possible Dust Clouds’. Since then there’s been new releases from Throwing Muses (‘Sun Racket’, 2020) and 50Foot Wave (‘Black Pearl’, 2022) along with new book ‘Seeing Sideways’ (2022). “One of indie rock’s most fascinating figures” (The Guardian) Hersh has released over 20 solo records, with Throwing Muses and 50FOOTWAVE to date. She is the author of an acclaimed memoir — based on her teenage diary — about a particularly eventful year, titled “Rat Girl” (‘Paradoxical Undressing’ in the UK), which was named #8 on Rolling Stone’s “25 Greatest Rock Memoirs of all time.” She later released her albums ‘Crooked’ (2010), ‘Wyatt at the Coyote Palace’ (2016) and Throwing Muses’ ‘Purgatory/Paradise’ (2013) as groundbreaking books of music, artwork, essays and lyrics. NPR Books said of Hersh’s latest work, ‘Don’t Suck, Don’t Die’ about her friendship with the late Vic Chesnutt, “Not only one of the best books of the year, it’s one of the most beautiful rock memoirs ever written.”   Previously, the juxtaposition of light and dark has been essential to the drama of Throwing Muses and 50 Foot Wave, but this new record is something of a departure: more inward looking. Produced and performed by Hersh, ‘Clear Pond Road’ is quieter yet more outspoken, its inventive musical logic underpinned by the ambience of field recordings.  “Passion sounds less angry here, more grateful, I think,” Kristin says, “sweeter, sadder, and somehow no less alive. Honestly? It’s a love story and its erratic heart rate reflects this. As textured and raunchy as real life songs like these can get, the sonic vocabulary is delicate, so I had to respect that and keep it grounded with car engines and rain in New England, then whistling ducks and wind chimes in New Orleans. Which sounds wistful, like a blurry photograph.”  Currently in the studio working on the next offering from Throwing Muses, Kristin Hersh is also preparing for a three month solo tour to celebrate across the UK and Ireland before heading to Australia and New Zealand.  

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Security -- Bag Policy: Large bags including rucksacks are not allowed. There are no facilities to leave large bags or luggage. If you really have to bring a bag -- and it's preferable you don't, please make sure it's small. Only one small bag per person is permitted and it must not be bigger than A4 size. Height: 28.7cm Width: 21cm Depth 15cm

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Admission to the event is subject to the venue's terms & conditions. Please ensure you read and accept these terms before purchasing tickets. By placing your order, you confirm you have read these terms & agree to be bound by them. You should save a copy of these terms for future reference. The venue reserves the right to refuse admission or eject customers in reasonable circumstances and may on occasion have to conduct security searches to ensure the safety of customers. Customers should note that they may be refused entry or ejected from the venue on account of being (or appearing to be) underage (where relevant), abusive, threatening, drunken, declining to be searched, carrying offensive weapons or illegal substances or for any other anti-social behaviour. No refunds will be offered to customers who are refused entry or ejected in such circumstances.

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Wheelchair positions are for wheelchair users. 'Ambulant' positions are for patrons with disabilities/conditions that are unable to use general arena seating/standing. Patrons requiring a hearing induction system or other services (BSL/Audio Description etc) should call the venue on 0141 576 3230 for more information. The accessible ticket policy limits one free carer ticket to each accessible ticket purchased. If you need more than one essential companion or additional positions in your booking, please call the venue on 0141 576 3230. By purchasing an accessible ticket, you confirm you or a member of your party require this position. Proof of eligibility/disability must be provided before the event - you will be contacted by Ticketmaster no later than 72 hours after your order. Tickets may be cancelled if misuse is suspected/found.

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Admission to the event is subject to the venue's terms & conditions. Please ensure you read and accept these terms before purchasing tickets. By placing your order, you confirm you have read these terms & agree to be bound by them. You should save a copy of these terms for future reference. The venue reserves the right to refuse admission or eject customers in reasonable circumstances and may on occasion have to conduct security searches to ensure the safety of customers. Customers should note that they may be refused entry or ejected from the venue on account of being (or appearing to be) underage (where relevant), abusive, threatening, drunken, declining to be searched, carrying offensive weapons or illegal substances or for any other anti-social behaviour. No refunds will be offered to customers who are refused entry or ejected in such circumstances.

Accessibility Information

Wheelchair positions are for wheelchair users. 'Ambulant' positions are for patrons with disabilities/conditions that are unable to use general arena seating/standing. Patrons requiring a hearing induction system or other services (BSL/Audio Description etc) should call the venue on 0141 576 3230 for more information. The accessible ticket policy limits one free carer ticket to each accessible ticket purchased. If you need more than one essential companion or additional positions in your booking, please call the venue on 0141 576 3230. By purchasing an accessible ticket, you confirm you or a member of your party require this position. Proof of eligibility/disability must be provided before the event - you will be contacted by Ticketmaster no later than 72 hours after your order. Tickets may be cancelled if misuse is suspected/found.

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Over 12's with an adult  Doors 7pm, 7.30pm start   "It’s a highway, filled with deep, exotic colors and beautiful delicate things as well as the perils that come from moving so fast," says Dar Williams, describing modern life. On her 13th album, Hummingbird Highway, out September 12 on Righteous Babe Records, Williams celebrates the colors she glimpses from her vantage as a touring musician. "I was a kid from the suburbs who listened when her hippie teachers said to get out in the world," Williams muses. Hummingbird Highway is the latest chapter in a richly unfolding story. Drawing on her experience as a playwright, Williams populates her latest album with nuanced characters that come alive in the space of a few minutes. On the title track, Williams sings from the perspective of a child speaking to her peripatetic and sometimes struggling parent. Blooming columbines, china blue teapots, and cinnamon bark number among the "treasures" in her life, despite the "pirates" that she imagines populating her worldly parent’s life. "The pirates can be all sorts of things living inside and outside your head. The child, for better or worse, knows that there is joy, unpredictability, and instability on the home front. She’s rooting for the joy." 

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Admission to the event is subject to the venue's terms & conditions. Please ensure you read and accept these terms before purchasing tickets. By placing your order, you confirm you have read these terms & agree to be bound by them. You should save a copy of these terms for future reference. The venue reserves the right to refuse admission or eject customers in reasonable circumstances and may on occasion have to conduct security searches to ensure the safety of customers. Customers should note that they may be refused entry or ejected from the venue on account of being (or appearing to be) underage (where relevant), abusive, threatening, drunken, declining to be searched, carrying offensive weapons or illegal substances or for any other anti-social behaviour. No refunds will be offered to customers who are refused entry or ejected in such circumstances.

Accessibility Information

Wheelchair positions are for wheelchair users. 'Ambulant' positions are for patrons with disabilities/conditions that are unable to use general arena seating/standing. Patrons requiring a hearing induction system or other services (BSL/Audio Description etc) should call the venue on 0141 576 3230 for more information. The accessible ticket policy limits one free carer ticket to each accessible ticket purchased. If you need more than one essential companion or additional positions in your booking, please call the venue on 0141 576 3230. By purchasing an accessible ticket, you confirm you or a member of your party require this position. Proof of eligibility/disability must be provided before the event - you will be contacted by Ticketmaster no later than 72 hours after your order. Tickets may be cancelled if misuse is suspected/found.

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Security - Bag Policy: Large bags including rucksacks are not allowed. There are no facilities to leave large bags or luggage. If you really have to bring a bag - and it's preferable you don't, please make sure it's small. Only one small bag per person is permitted and it must not be bigger than A4 size. Height: 28.7cm Width: 21cm Depth: 15cm

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Doors 7.30pm, 8m start    The Delines are set to return with their sixth album to day on March 6th via Decor Records entitled 'The Set Up'. The Portland, Oregon country-soul act has been touring the UK now for over ten years and are coming off the back of their previous album Mr Luck & Ms Doom which finished in the top 40 albums of the year end polls in UNCUT Magazine.  The album will be followed by Willy Vlautin's new novel 'The Left and The Lucky" next May on Faber & Faber. Willy Vlautin  of The Delines says " we were finishing the Mr. Luck & Ms. Doom sessions when I brought in a tune called Walking With His Sleeves Down. Amy learned it on piano and we recorded it live. Her take was stunning but the song didn’t quite fit the record. It was lonelier, more rattled, and it missed that rudderless romance that inhabits the world of Mr. Luck & Ms. Doom, so we set it aside. Next I brought in The Reckless Life. The song worked sonically but again didn’t feel quite right lyrically. Both it and Walking With His Sleeves Down pulled the listener into the lives of the drug-addled, the grifters, and the lost and not the romantics adrift on the road like Mr. Luck & Ms. Doom. So we shelved the songs and finished the record.  But even as we toured Mr. Luck & Ms. Doom I couldn’t stop writing songs for it. I think seeing the residue of the opioid epidemic in the US, the thousands of young people rattled with addiction and living in tents and on the streets and in old cars and RVs, influenced Luck and Doom but even more so with The Set Up: Dilaudid Diane, The Reckless Life, Jumping off in Madras, and Walking With His Sleeves Down all live in that world. And then I brought in the idea of The Set Up, a piece I’d been thinking about for Mr. Luck & Ms. Doom, a spoken word song in three parts: the lure, the catch, and the grift. I wrote the words, Cory wrote the music, and Amy played the part and man oh man did she deliver.  Our stalwart producer, John Morgan Askew, was at the helm again and he’s the king of building atmospheric worlds. You can really feel it on this one. By the time we finished we realized The Set Up was the wayward, misguided, and lonely sister to Mr. Luck & Ms. Doom. More ragged and undone but all CinemaScope Delines.  

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Security - Bag Policy: Large bags including rucksacks are not allowed. There are no facilities to leave large bags or luggage. If you really have to bring a bag -- and it's preferable you don't, please make sure it's small. Only one small bag per person is permitted and it must not be bigger than A4 size. Height: 28.7cm Width: 21cm Depth 15cm

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Magnum Announce “The Next Chapter” — Honouring the Legacy of Tony Clarkin and Celebrating Over 50 Years of Music British rock legends Magnum are entering an exciting new era as they continue to honour the extraordinary legacy of their late founder, guitarist, and songwriter Tony Clarkin, who sadly passed away last year. With a remarkable career spanning more than five decades, Magnum have long been celebrated for their melodic power, rich storytelling, and unwavering dedication to their craft.  Following Tony’s untimely passing, the band paid tribute to his life and work with a series of special performances titled “The Passage in Time” — a two-hour celebration of some of Tony’s most iconic compositions. Please note, this event is 14+ (under 16s must be accompanied by someone 18 or over). PLEASE READ OUR BAG POLICY AND FAQS BEFORE ATTENDING 

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Your favourite 90s band, providing earworms for decades, are back and  absolutely unstoppable. Their first tour in 20 years sparked a global 30th  Anniversary Tour in 2022, which spanned the US, Europe, and Canada,  celebrating *The Ghosts That Haunt Me*. In 2023, the band celebrated 30 years since the release of their 3  times-Grammy nominated and platinum certified album “God Shuffled His Feet”. “Touring again was not something we’d planned on, but surprisingly – at  least to me – there are lots of people who many years later, still want to  come and hear us. The folks that are coming out to see these shows tell us  their stories, some of them very funny, some very dark and all very  personal. It’s very humbling, being in the confidence of so many people”  says lead singer-songwriter Brad Roberts, “and it has inspired us to  continue to tour and make music.”

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Security - Bag Policy: Large bags including rucksacks are not allowed. There are no facilities to leave large bags or luggage. If you really have to bring a bag - and it's preferable you don't, please make sure it's small. Only one small bag per person is permitted and it must not be bigger than A4 size. Height: 28.7cm Width: 21cm Depth: 15cm

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One of the most unique and enjoyable live dub acts on the planet, their use of dynamic onstage dub mixing whilst performing alongside acoustic instruments and exceptional vocalists, make Zion Train one of a kind. Fresh live onstage line up featuring Cara Jane Murphy on lead vocals  Celebrated 30 years existence in 2018 – continuously moving forward with positivity Own and operate their Abassi Sound System with regular sessions in the UK  Run the Universal Egg and Deep Root independent record labels

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Divergent Promotions presents by arrangement with TKO    HED PE / COLD Legendary Southern California G-punk pioneers (hed)p.e. became known for their raw honesty, raunchy lyrics and explosive live shows during the rise of nu-metal in the late 90s and early 2000s. Joining them are Jacksonville’s COLD, alternative rock icons with two gold albums and over one million records sold in the US.  

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KNOWTFEST NEWCASTLE Saturday 3rd October 2026 Newcastle University Students Union  Doors 5pm

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Over 14s only. A max of 6 tickets per person and per household applies. Tickets in excess of 6 will be cancelled.

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Security - Bag Policy: Large bags including rucksacks are not allowed. There are no facilities to leave large bags or luggage. If you really have to bring a bag - and it's preferable you don't, please make sure it's small. Only one small bag per person is permitted and it must not be bigger than A4 size. Height: 28.7cm Width: 21cm Depth: 15cm

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Security - Bag Policy: Large bags including rucksacks are not allowed. There are no facilities to leave large bags or luggage. If you really have to bring a bag -- and it's preferable you don't, please make sure it's small. Only one small bag per person is permitted and it must not be bigger than A4 size. Height: 28.7cm Width: 21cm Depth 15cm

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Security - Bag Policy: Large bags including rucksacks are not allowed. There are no facilities to leave large bags or luggage. If you really have to bring a bag - and it's preferable you don't, please make sure it's small. Only one small bag per person is permitted and it must not be bigger than A4 size. Height: 28.7cm Width: 21cm Depth: 15cm

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Security -- Bag Policy: Large bags including rucksacks are not allowed. There are no facilities to leave large bags or luggage. If you really have to bring a bag -- and it's preferable you don't, please make sure it's small. Only one small bag per person is permitted and it must not be bigger than A4 size. Height: 28.7cm Width: 21cm Depth 15cm

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Security - Bag Policy: Large bags including rucksacks are not allowed. There are no facilities to leave large bags or luggage. If you really have to bring a bag -- and it's preferable you don't, please make sure it's small. Only one small bag per person is permitted and it must not be bigger than A4 size. Height: 28.7cm Width: 21cm Depth 15cm

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Security -- Bag Policy: Large bags including rucksacks are not allowed. There are no facilities to leave large bags or luggage. If you really have to bring a bag -- and it's preferable you don't, please make sure it's small. Only one small bag per person is permitted and it must not be bigger than A4 size. Height: 28.7cm Width: 21cm Depth 15cm

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The Gig Cartel Presents... For over five decades, Wishbone Ash has stood as one of rock music’s most enduring and influential forces, their pioneering twin-lead guitar sound providing a blueprint for the generations of rock, metal, and progressive artists that followed in their footsteps. With an extensive catalogue, countless miles on the road, and a legacy woven into the fabric of rock history, they continue to inspire audiences worldwide. Don’t miss this exciting opportunity to experience a legendary band that don’t just celebrate their illustrious past, but continue to embrace the future.

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Please note that all tickets will be on collection, at the venue, on the evening of the show.

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  INDIEPALOOZA FESTIVAL "6 Tribute Bands, 1 Night, YOU chose the anthems!" U14s accompanied by an adult, and 14+ otherwise Indiepalooza is an amazing touring indie-rock tribute festival featuring leading tributes to (ALL on ONE night!) :- The Killers, Arctic Monkeys, Oasis, Sam Fender, Kasabian + Kaiser Chiefs....This indoor show has sold out 1000 cap+ venues all over the country and is in it’s 4th year. “This. Is. Great. He is selling out all over the UK!” - Chris Moyles, Radio X “This is Great. He does sound great to be fair!” - Greg James, Radio 1 "The BEST tribute band I've ever seen, and I've shot HUNDREDS" - Duncan Cowley THE KOPYCAT KILLERS + SCAM FENDER + SUBARCTIC MONKEYS + OASIS 96 + KASABIAINT + KAISER CHEATS THE KOPYCAT KILLERS, SUBARCTIC MONKEYS, OASIS 96, KASABIAN'T, SCAM FENDER and KAISER CHEATS are amongst the best tributes in the world, playing huge festivals both in the UK and abroad to thousands, and now ALL COMING TOGETHER on this special touring festival show. HOURS OF WALL TO WALL BANGERS ALL NIGHT!!! - Expect Mr Brightside, Don’t Look Back In Anger, I Predict A Riot, Fire, Seventeen Going Under, I Bet That You Look Good On The Dancefloor, Hypersonic Missiles, Somebody Told Me, Wonderwall, Ruby, Mardy Bum, Human, When You Were Young, Club Foot, Will We Talk?, Do I Wanna Know, Supersonic, All These Things That I’ve Done, She’s Electric, Why’d You Only Call Me When You’re High, Cigarettes and Alcohol, Read My Mind, Florescent Adolescent, Glamorous Indie Rock N Roll, R U Mine?, Smile Like You Mean It, Spit Of You, 505, Getting Started, Snap Out Of It, People Watching, Oh My God! and many more! Instagram - http://instagram.com/thekopycatkillerstribute // http://instagram.com/scamfender// http://instagram.com/subarcticmonkeystribute // http://instagram.com/oasis96tribute // https://instagram.com/kasabiaint // https://www.instagram.com/indiepalooza Websites - http://thekopycatkillers.com// http://scamfender.com // http://subarcticmonkeys.com // https://www.indiepalooza.co.uk -- "I've booked tribute in LA for years, this is the best of the best" - Steve Ochs -- "I've seen Killers 50 times in 9 countries, I was blown away by this tribute" - V.Moran Hundreds more testimonials - http://thekopycatkillers.com/testimonials Typical running orders are sets of 20-60 minutes depending on billing, and depending on door time and curfew - in this order 1st Kaiser Cheats, 2nd Scam Fender, 3rd Kasabiain’t, 4th Sub-Arctic Monkeys, 5th Oasis 96, and then Kopycat Killers closing the night. - --------- N.B - As per the videos below (please check them out) - this is Tribute Show performed by the same musicians + Stuart Rook and Eddie Anderson on vocals. Eddie Anderson will perform the Oasis songs. All 5 acts perform all of this music all over the UK as the individual, separate acts - which coming together for this special-length Indiepalooza Show.

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JS Promotions Presents... "Incendiary grime punk band Riskee & The Ridicule return with their new album, Platinum Statue, released on August 25th via Ring Of Fire Records. For more than a decade, the band has released music with a rich history of focused scathing attacks on world politics yet this time around they decided to look more inwardly. Concentrating on the broad influences that each of the five members (Scott Picking - Vocals, Jimbo Aglony - Guitar & Vocals, Jordan Mann - Guitar & Vocals, Ben Maz - Bass, Matt Verrell - Drums, keys & Vocals) bring to the band, they allow these to breathe and lend to an album full of collaboration and brotherhood. By letting their individual inputs dictate the music, Platinum Statue explodes at break-neck speed into an innovative force of an album that tackles mental health, how to cope and the UK music scene. The first taste of this was their caustic and brutal single "My Name", an anthem dug from the dirt of the underground, dedicated to the music industry and every snake within it. Elsewhere “How I Feel” is about carrying on a party way after the party has stopped - both literally and metaphorically - and the anxieties that come with the hangover of a good time but wanting to keep it going, for better or worse. “Giving Up” tackles those moments of hopelessness and addressing depression when it comes in its waves. Throughout the entire record there’s an outburst of intricate guitars, breakdowns and relentless rhythm sections reaching new heights that all detonate with punk energy, cathartic hooks and sharp vocals. Having released critically acclaimed albums Dawn Of The Dog, Blame Culture, Body Bag Your Scenet and touring extensively across the UK, Europe and America, the band is renowned for their relentless energy which is now made concrete on Platinum Statue. The dials are turned up all the way and everything Riskee & The Ridicule were previously known for reaches ferocious new energy levels. Platinum Statue was recorded, produced, mixed and mastered by Oz Craggs at Hidden Track Studios."

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Please note that all tickets will be on collection, at the venue, on the evening of the show.

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Brudenell Presents... With support from - Nathan Bowles My Days of 58 is the eighth Bill Callahan album, his first since 2022. The twelve tunes here open uncanny depths of expression as Bill continues to blaze one of the most original songwriting-and-performance trails out there. With My Days of 58, he applies the living, breathing energies of his live shows to the studio process, sharpening his slice-of-life portraiture to cut deeper than ever before. The core musicians featured on My Days of 58 is the group that toured for 2022’s REALITY: guitarist Matt Kinsey, saxophonist Dustin Laurenzi and drummer Jim White, whose synergy was evident in 2024’s live Resuscitate!. This showed Bill, as he puts it, “that they could handle anything I threw at them,” adding:  “Improv/unpredictability/the unknown is the thing that keeps me motivated to keep making music. It’s all about listening to yourself and others. A lot of the best parts of a recording are the mistakes — making them into strengths, using them as springboards into something human.” With this in mind, Bill prepared the songs with each player separately. Taking a note from songwriter, fan and friend Jerry DeCicca, he recorded the basic tracks for all but one song in a duo with Jim White. Meanwhile, he rehearsed with Matt, guitar to guitar, while asking Dustin to make horn charts for a few songs. Bill:  “I usually just sing a melody to a horn player or let them try a few takes and go from there. This time I thought, why not get some of the record charted out. There’s always room for spontaneity on top of that. And we did indeed throw some off the cuff stuff on top of the charted horns in a couple cases where they weren’t fully doing what I wanted. With this record I kept thinking of it as a ‘living room record.’ I’m not talking about fidelity at all here. Living room attitude. Living room vibe. Not too loud, not otherworldly. I asked for the horns to be relaxed like someone on the couch playing, not a blast from heaven or hell.” For more spontaneity and human color, Bill called up several other players: Richard Bowden on fiddle, whom he’d seen playing with Terry Allen and loved; pianist Pat Thrasher; bassist Chris Vreeland; and trombonist Mike St. Clair. About pedal steel player Bill McCullough, who he knew from Knife in the Water, Bill says this: “He has a real abstract approach to an abstract instrument — he’s a photographer (shot the front and back cover) and sees the steel in the same way as apertures and f-stops — foreground and mid ground and background — blurry and sharp. That’s how I’ve always seen the steel so it’s exciting to share that. But hobo stew is always the idea — throwing together who I have at hand instead of following a recipe. I’m always learning. I know very little after all these years. I go by gut mostly, but sometimes forget all the possible considerations to consider.  The goal of every record at the recording part of the process is to get thrown out of Eden. Every session starts in Eden but you have to get out of there at some point.”

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Brudenell Presents... After the success of his 2022 EP Le Piano, Donny Benét returns with the next chapter in his instrumental series: Il Basso. Paying tribute to the bass this time—the foundation, the glue, and at times the undeniable boss of music—Il Basso showcases Donny’s passion for the bottom end. To celebrate, Donny will be taking Il Basso on tour, performing it live alongside all your favourite Benét classics. Expect an evening overflowing with passion, heat, and virtuosity from Don and his band

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To purchase accessible tickets please click purchase link below. For further information please visit help.ticketmaster.ie You can now update your accessible information in "My Account""

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Accessibility Information

To purchase accessible tickets please click purchase link below. For further information please visit help.ticketmaster.ie You can now update your accessible information in "My Account" The Telegraph Building venue offers an accessible area at the front of the stage with a front row view of the performance. The venue is all on one level with no stairs or access impediments. There are accessible toilets located in the bar area. If you have any questions, please do not hesitate to contact us on accessibility@shine.net

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Security -- Bag Policy: Large bags including rucksacks are not allowed. There are no facilities to leave large bags or luggage. If you really have to bring a bag -- and it's preferable you don't, please make sure it's small. Only one small bag per person is permitted and it must not be bigger than A4 size. Height: 28.7cm Width: 21cm Depth 15cm

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Crosstown Concerts Presents  Lime Garden 

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Live Nation Presents Joyce Manor Plus Special Guests Joyce Manor are California pop-punk legends and I Used To Go To This Bar is this epochal band operating at the top of their game. They continue to deliver relentlessly satisfying rock music in a manner that makes it look simply effortless. The Torrance, California-hailing trio of Barry Johnson, Chase Knobbe, and Matt Ebert are at a point in their career where their position as one of the most beloved rock bands is a foregone conclusion. Their seventh album, produced by Brett Gurewitz (of Bad Religion and Epitaph Records CEO) finds the group continuing to find rich new veins to tap in their short-and-sweet songcraft without losing an ounce of bite that gained them such repute in the first place.A bustle of activity that followed the release of 2022’s excellent 40 Oz. to Fresno and included an instantly memorable appearance on John Mulaney’s Everybody’s in L.A. and a retrospective assessment of the group’s seminal 2011 self-titled debut as part of Pitchfork’s esteemed Sunday Review series. The band’s had a whirlwind touring schedule over the last few years, which has included an outing with Weezer and multiple sold-out shows at the legendary California venues Hollywood Palladium (including a guest performance by Mark Hoppus for the fan favorite “Heart Tattoo”) and Long Beach Arena. This new record retains the band’s penchant for punchy hooks while sounding fuller, more in-your-face, and all-around bigger than ever, with an all-star crew of collaborators along for this wild ride. Along with mixing pro Tony Hoffer (M83, Beck), behind-the-boards legend Tom Lord-Alge lent his Enema of the State engineer magic to several I Used To Go To This Bar cuts, including the first single “All My Friends Are So Depressed.” The album also features a rotating cast of drummers, including touring drummer Jared Shavelson, Social Distortion’s David Hildago, Jr., and Joey Waronker—the latter of whom is currently hitting the skins for Oasis’ reunion tour.  I Used To Go To This Bar feels like a true culmination of everything Joyce Manor’s achieved thus far, further cementing their current legacy as California pop-punk royalty as well as a truly generational punk band at large. 

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Security - Bag Policy: Large bags including rucksacks are not allowed. There are no facilities to leave large bags or luggage. If you really have to bring a bag - and it's preferable you don't, please make sure it's small. Only one small bag per person is permitted and it must not be bigger than A4 size. Height: 28.7cm Width: 21cm Depth: 15cm

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