events in united kingdom this week

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Please note: Giftcards are only valid against tickets brough from Ticketmaster and are not redeemable in the gift shop or cafe.

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 Welcome to Twist Museum, London’s ultimate illusion experience, where you can discover if you really see colors that don’t exist and explore what you’d look like as a 3D holographic avatar. This immersive playground offers 80 interactive exhibits designed to challenge your mind. See your friends shrink before your eyes, wander through endless corridors, and feel sensations that question your very perception of reality. Step into a world where reality comes with a twist. Grab your tickets now for Twist Museum in London!  

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Melodees from Heaven presents TAC Mondays with The Anthem Choir Join the Anthem Choir for Gospel Music and Fellowship! Do you love Gospel music and enjoy singing?  We invite you to join our informal rehearsal and open choir session, held once a month! Whether you want to lift your voice in song or simply appreciate the beauty of Gospel music, we welcome you with open arms. Who We Are: The Anthem Choir is a group of individuals who love Jesus and enjoy spreading the good news through music. What to Expect: • 6:30 PM - 7:30 PM: Enjoy delicious food from Soul Mamma, wind down after work, and prepare for an evening of worship. • 7:30 PM Onwards: Dive into the music and experience the joy of singing together. No experience necessary—just bring your love for music! Everyone is welcome!

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The Underworld proudly presents ULI JON ROTH – VIRGIN KILLER 50TH ANNIVERSARY TOUR 2026 Presented by: Lucky Bob Music Agency, Dragon Productions, Musix, Rock Hard, Gitarre & Bass, Rockantenne Guitar legend and rock visionary Uli Jon Roth celebrates the 50th anniversary of the legendary Scorpions album "Virgin Killer" in 2026. With his unmistakable playing style and innovative guitar sounds, Uli not only shaped the early work of the Scorpions but also inspired generations of guitarists worldwide. From 1974 to 1978, Roth served as the Scorpions‘ lead guitarist and co-creator of classics such as "Fly To The Rainbow", "In Trance", and, of course, "Virgin Killer", which achieved gold status worldwide.  The "Virgin Killer 50th Anniversary Tour" is more than a nostalgic look back: for the first time – and at the same time for the very last time – the complete album "Virgin Killer" will be performed in its entirety, an event that has never happened before and will never happen again. Touring across Europe, the tour promises unforgettable moments filled with powerful guitar riffs, emotional melodies, and spontaneous improvisations – the kind of inspired performances only an artist of Roth’s calibre can deliver. Experience live how Uli Jon Roth celebrates the legacy of one of rock’s most important albums – an evening of history, passion and unparalleled music. 

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One of the finest singer/songwriters to emerge from the indie rock scene of the late '80s, Bill Callahan uses the images of the American West in ruggedly thoughtful ways that speak to the present as well as the past.  'My Days of 58' is the eighth Bill Callahan album, his first since 2022. The twelve tunes here open uncanny depths of expression as Bill continues to blaze one of the most original songwriting-and-performance trails out there. With 'My Days of 58', he applies the living, breathing energies of his live shows to the studio process, sharpening his slice-of-life portraiture to cut deeper than ever before. Plus support from Nathan Bowles ------------------------- Ages 16 and under must be accompanied by an adult at all times. Ages 14 and under must be accompanied by an adult and in Level 2 Seated area only. 8+ only. Customer name and email address will be shared with The Roundhouse in order to facilitate digital ticket delivery. E-tickets will be delivered digitally by the venue (E-tickets will not be delivered by TicketWeb). You should expect to receive your digital tickets via email on the day of the show, no later than 5pm when the Roundhouse box office opens. If you experience any difficulties, speak to the box office when you arrive. 

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Security -- Bag Policy: Large bags including rucksacks are not allowed. There are no facilities to leave large bags or luggage. If you really have to bring a bag -- and it's preferable you don't, please make sure it's small. Only one small bag per person is permitted and it must not be bigger than A4 size. Height: 28.7cm Width: 21cm Depth 15cm

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Security - Bag Policy: Large bags including rucksacks are not allowed. There are no facilities to leave large bags or luggage. If you really have to bring a bag - and it's preferable you don't, please make sure it's small. Only one small bag per person is permitted and it must not be bigger than A4 size. Height: 28.7cm Width: 21cm Depth 15cm

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To see the availability of Accessible Tickets, select the All Ticket Types & check as appropriate from the drop-down menu. Wheelchair Accessible are for wheelchair users only. Ambulant Disabled & Sight Impaired positions are located within general seated areas, but have been allocated due to their ease of access or proximity to the stage area where applicable. The Universal Accessible Symbol is used for all access requirements, so please make sure you are booking the appropriate tickets. The essential companion ticket next to the accessible ticket you've highlighted should be chosen when booking (where this is an option) & all tickets must be purchased in one transaction. The accessible ticket policy limits one free companion ticket to each accessible ticket purchased. Patrons who have any questions about booking tickets, or require further assistance please email our disabled access team at access@ticketmaster.co.uk

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Fanfare Ciocarlia is one of the world’s greatest gypsy brass bands, a 24-legged Balkan brass beast whose eastern funk groove has torn up halls and festivals across the planet with their balkan brass sound. Their energetic performances and musical ingenuity winning them fans from Melbourne to Memphis, Tokyo to Toulouse. Growing up sons of farmers in the “hidden” village of Zece Prajini in north-eastern Romania, the band members learned their craft at the feet of their fathers and grandfathers, proudly approaching every concert as a challenge to both entertain audiences and keep the true spirit of Gypsy music alive. It is no small thing to note that Fanfare Ciocarlia singlehandedly are responsible for the re-emergence and great rise in popularity of balkan brass and the balkan brass movement from Eastern Europe. Anyone who has heard Fanfare Ciocarlia can agree on one thing – no brass band has ever played as fast as this before. Make that two things: no brass band had ever sounded like this before! Their village's isolation, situated in a misty valley, its dirt roads are occupied by flocks of geese, horses and carts, meant that throughout the years it remained hidden from the outside world, untouched by the effects of communism and allowing its eighty Gypsy farming families to continue to live a traditional rural lifestyle. This same remote quality also meant that brass musical traditions developed under Ottoman rule still continued to exist in the village when they had long died out in the rest of Romania. Characterised by breakneck speed, technical chops, ripping rhythms, sweet and sour horns, these combined elements separate them from any other brass band on earth. The Times of London described it as “a heavy, heavy monster sound” and Fanfare’s recordings have taken their eerie Balkan groove into dance clubs across the planet. They were commissioned by Sacha Baron Cohen to cut the biker anthem “Born To Be Wild” and "just the 2 Of Us" for the Borat I and II movie soundtrack and have been sampled and covered, championed and emulated, by countless DJs, bands and Gypsy orchestras across the world. Fanfare Ciocarlia have released ten albums, several of which have topped the European World Music charts and their DVD “Brass On Fire” was acclaimed by Songlines magazine as “setting a new standard for music documentaries”. They have played over 3000 concerts world-wide, and put simply: nobody does it better, harder, faster, funkier than Fanfare Ciocarlia.

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Security -- Bag Policy: Large bags including rucksacks are not allowed. There are no facilities to leave large bags or luggage. If you really have to bring a bag -- and it's preferable you don't, please make sure it's small. Only one small bag per person is permitted and it must not be bigger than A4 size. Height: 28.7cm Width: 21cm Depth 15cm

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Now Wave presents Alice Costelloe live at YES Basement, Manchester 8th Oct 2026

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Bag Policy: Large bags including rucksacks are not allowed. There are no facilities to leave large bags or luggage. If you really have to bring a bag - and it's preferable you don't, please make sure it's small. Only one small bag per person is permitted and it must not be bigger than A4 size.

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For Accessible Tickets please contact the venue directly on 0161 273 7785 or via email at access@o2apollomanchester.co.uk. The accessible ticket policy limits one free carer ticket to each accessible ticket purchased. Patrons who have any questions about booking tickets, or require further assistance please email the venues dedicated disabled access team at access@o2apollomanchester.co.uk Tickets may be cancelled if misuse is suspected/found.

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Start time - 7:30pm

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To see the availability of Accessible Tickets, select the All Ticket Types & check as appropriate from the drop-down menu. Wheelchair Accessible are for wheelchair users only. Ambulant Disabled & Sight Impaired positions are located within general seated areas, but have been allocated due to their ease of access or proximity to the stage area where applicable. The Universal Accessible Symbol is used for all access requirements, so please make sure you are booking the appropriate tickets. The essential companion ticket next to the accessible ticket you've highlighted should be chosen when booking (where this is an option) & all tickets must be purchased in one transaction. The accessible ticket policy limits one free companion ticket to each accessible ticket purchased. Patrons who have any questions about booking tickets, or require further assistance please email our disabled access team at access@ticketmaster.co.uk

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Now Wave presents Digitalism LIVE

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Triple A presents THE bEAT DANCE CRAZED TOO UK TOUR plus support + DJ Rhoda Dakar Show starts 7.45pm. Security -- Bag Policy: Large bags including rucksacks are not allowed. There are no facilities to leave large bags or luggage. If you really have to bring a bag -- and it's preferable you don't, please make sure it's small. Only one small bag per person is permitted and it must not be bigger than A4 size. Height: 28.7cm Width: 21cm Depth 15cm

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Admission to the event is subject to the venue's terms & conditions. Please ensure you read and accept these terms before purchasing tickets. By placing your order, you confirm you have read these terms & agree to be bound by them. You should save a copy of these terms for future reference. The venue reserves the right to refuse admission or eject customers in reasonable circumstances and may on occasion have to conduct security searches to ensure the safety of customers. Customers should note that they may be refused entry or ejected from the venue on account of being (or appearing to be) underage (where relevant), abusive, threatening, drunken, declining to be searched, carrying offensive weapons or illegal substances or for any other anti-social behaviour. No refunds will be offered to customers who are refused entry or ejected in such circumstances.

Accessibility Information

Wheelchair positions are for wheelchair users. 'Ambulant' positions are for patrons with disabilities/conditions that are unable to use general arena seating/standing. Patrons requiring a hearing induction system or other services (BSL/Audio Description etc) should call the venue on 0141 576 3230 for more information. The accessible ticket policy limits one free carer ticket to each accessible ticket purchased. If you need more than one essential companion or additional positions in your booking, please call the venue on 0141 576 3230. By purchasing an accessible ticket, you confirm you or a member of your party require this position. Proof of eligibility/disability must be provided before the event - you will be contacted by Ticketmaster no later than 72 hours after your order. Tickets may be cancelled if misuse is suspected/found.

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Admission to the event is subject to the venue's terms & conditions. Please ensure you read and accept these terms before purchasing tickets. By placing your order, you confirm you have read these terms & agree to be bound by them. You should save a copy of these terms for future reference. The venue reserves the right to refuse admission or eject customers in reasonable circumstances and may on occasion have to conduct security searches to ensure the safety of customers. Customers should note that they may be refused entry or ejected from the venue on account of being (or appearing to be) underage (where relevant), abusive, threatening, drunken, declining to be searched, carrying offensive weapons or illegal substances or for any other anti-social behaviour. No refunds will be offered to customers who are refused entry or ejected in such circumstances.

Accessibility Information

Wheelchair positions are for wheelchair users. 'Ambulant' positions are for patrons with disabilities/conditions that are unable to use general arena seating/standing. Patrons requiring a hearing induction system or other services (BSL/Audio Description etc) should call the venue on 0141 576 3230 for more information. The accessible ticket policy limits one free carer ticket to each accessible ticket purchased. If you need more than one essential companion or additional positions in your booking, please call the venue on 0141 576 3230. By purchasing an accessible ticket, you confirm you or a member of your party require this position. Proof of eligibility/disability must be provided before the event - you will be contacted by Ticketmaster no later than 72 hours after your order. Tickets may be cancelled if misuse is suspected/found.

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Admission to the event is subject to the venue's terms & conditions. Please ensure you read and accept these terms before purchasing tickets. By placing your order, you confirm you have read these terms & agree to be bound by them. You should save a copy of these terms for future reference. The venue reserves the right to refuse admission or eject customers in reasonable circumstances and may on occasion have to conduct security searches to ensure the safety of customers. Customers should note that they may be refused entry or ejected from the venue on account of being (or appearing to be) underage (where relevant), abusive, threatening, drunken, declining to be searched, carrying offensive weapons or illegal substances or for any other anti-social behaviour. No refunds will be offered to customers who are refused entry or ejected in such circumstances.

Accessibility Information

Wheelchair positions are for wheelchair users. 'Ambulant' positions are for patrons with disabilities/conditions that are unable to use general arena seating/standing. Patrons requiring a hearing induction system or other services (BSL/Audio Description etc) should call the venue on 0141 576 3230 for more information. The accessible ticket policy limits one free carer ticket to each accessible ticket purchased. If you need more than one essential companion or additional positions in your booking, please call the venue on 0141 576 3230. By purchasing an accessible ticket, you confirm you or a member of your party require this position. Proof of eligibility/disability must be provided before the event - you will be contacted by Ticketmaster no later than 72 hours after your order. Tickets may be cancelled if misuse is suspected/found.

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Event Information

Admission to the event is subject to the venue's terms & conditions. Please ensure you read and accept these terms before purchasing tickets. By placing your order, you confirm you have read these terms & agree to be bound by them. You should save a copy of these terms for future reference. The venue reserves the right to refuse admission or eject customers in reasonable circumstances and may on occasion have to conduct security searches to ensure the safety of customers. Customers should note that they may be refused entry or ejected from the venue on account of being (or appearing to be) underage (where relevant), abusive, threatening, drunken, declining to be searched, carrying offensive weapons or illegal substances or for any other anti-social behaviour. No refunds will be offered to customers who are refused entry or ejected in such circumstances.

Accessibility Information

Wheelchair positions are for wheelchair users. 'Ambulant' positions are for patrons with disabilities/conditions that are unable to use general arena seating/standing. Patrons requiring a hearing induction system or other services (BSL/Audio Description etc) should call the venue on 0141 576 3230 for more information. The accessible ticket policy limits one free carer ticket to each accessible ticket purchased. If you need more than one essential companion or additional positions in your booking, please call the venue on 0141 576 3230. By purchasing an accessible ticket, you confirm you or a member of your party require this position. Proof of eligibility/disability must be provided before the event - you will be contacted by Ticketmaster no later than 72 hours after your order. Tickets may be cancelled if misuse is suspected/found.

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DF Concerts Presents Jared Benjamin Plus Special Guests 14+ (U16s with an adult 18+). Under 25s require ID to purchase alcohol

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Admission to the event is subject to the venue's terms & conditions. Please ensure you read and accept these terms before purchasing tickets. By placing your order, you confirm you have read these terms & agree to be bound by them. You should save a copy of these terms for future reference. The venue reserves the right to refuse admission or eject customers in reasonable circumstances and may on occasion have to conduct security searches to ensure the safety of customers. Customers should note that they may be refused entry or ejected from the venue on account of being (or appearing to be) underage (where relevant), abusive, threatening, drunken, declining to be searched, carrying offensive weapons or illegal substances or for any other anti-social behaviour. No refunds will be offered to customers who are refused entry or ejected in such circumstances.

Accessibility Information

Wheelchair positions are for wheelchair users. 'Ambulant' positions are for patrons with disabilities/conditions that are unable to use general arena seating/standing. Patrons requiring a hearing induction system or other services (BSL/Audio Description etc) should call the venue on 0141 576 3230 for more information. The accessible ticket policy limits one free carer ticket to each accessible ticket purchased. If you need more than one essential companion or additional positions in your booking, please call the venue on 0141 576 3230. By purchasing an accessible ticket, you confirm you or a member of your party require this position. Proof of eligibility/disability must be provided before the event - you will be contacted by Ticketmaster no later than 72 hours after your order. Tickets may be cancelled if misuse is suspected/found.

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Admission to the event is subject to the venue's terms & conditions. Please ensure you read and accept these terms before purchasing tickets. By placing your order, you confirm you have read these terms & agree to be bound by them. You should save a copy of these terms for future reference. The venue reserves the right to refuse admission or eject customers in reasonable circumstances and may on occasion have to conduct security searches to ensure the safety of customers. Customers should note that they may be refused entry or ejected from the venue on account of being (or appearing to be) underage (where relevant), abusive, threatening, drunken, declining to be searched, carrying offensive weapons or illegal substances or for any other anti-social behaviour. No refunds will be offered to customers who are refused entry or ejected in such circumstances.

Accessibility Information

Wheelchair positions are for wheelchair users. 'Ambulant' positions are for patrons with disabilities/conditions that are unable to use general arena seating/standing. Patrons requiring a hearing induction system or other services (BSL/Audio Description etc) should call the venue on 0141 576 3230 for more information. The accessible ticket policy limits one free carer ticket to each accessible ticket purchased. If you need more than one essential companion or additional positions in your booking, please call the venue on 0141 576 3230. By purchasing an accessible ticket, you confirm you or a member of your party require this position. Proof of eligibility/disability must be provided before the event - you will be contacted by Ticketmaster no later than 72 hours after your order. Tickets may be cancelled if misuse is suspected/found.

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Event Information

Admission to the event is subject to the venue's terms & conditions. Please ensure you read and accept these terms before purchasing tickets. By placing your order, you confirm you have read these terms & agree to be bound by them. You should save a copy of these terms for future reference. The venue reserves the right to refuse admission or eject customers in reasonable circumstances and may on occasion have to conduct security searches to ensure the safety of customers. Customers should note that they may be refused entry or ejected from the venue on account of being (or appearing to be) underage (where relevant), abusive, threatening, drunken, declining to be searched, carrying offensive weapons or illegal substances or for any other anti-social behaviour. No refunds will be offered to customers who are refused entry or ejected in such circumstances.

Accessibility Information

Wheelchair positions are for wheelchair users. 'Ambulant' positions are for patrons with disabilities/conditions that are unable to use general arena seating/standing. Patrons requiring a hearing induction system or other services (BSL/Audio Description etc) should call the venue on 0141 576 3230 for more information. The accessible ticket policy limits one free carer ticket to each accessible ticket purchased. If you need more than one essential companion or additional positions in your booking, please call the venue on 0141 576 3230. By purchasing an accessible ticket, you confirm you or a member of your party require this position. Proof of eligibility/disability must be provided before the event - you will be contacted by Ticketmaster no later than 72 hours after your order. Tickets may be cancelled if misuse is suspected/found.

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Forged between France and Tunisia, Myrath has emerged as one of the most distinctive forces in modern metal. Blending razor-sharp riffs, cinematic orchestrations, and the hypnotic pulse of African, Indian, and European traditions, their music is not a calculated fusion but a natural expression of diverse roots. Fans and critics alike simply call it Blazing Desert Metal. Myrath’s story is one of resilience. During the Tunisian revolution, the band wrote Tales of the Sands (2011) while protecting their homes by day and composing music by night; a defining moment that still echoes through their sound. Since then, they have conquered international stages from Hellfest to Japan, Europe, and the Americas. In 2022, they made history by performing at the FIFA World Cup in Qatar, reaching millions worldwide. Their latest release, Karma (2024), marked a rebirth: a bombastic, arena-ready album that reaffirmed their reputation for innovation. Looking ahead, Myrath is preparing their most ambitious project yet a new album set for 2026, featuring a special duet with Elize Ryd from Amaranthe. More than a band, Myrath is a testament to how music born from struggle and identity can transcend borders and generations.

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German metalcore band Tenside and reggae-core outfit Aurorawave bring the Devour The Dark Tour to Glasgow this October with support from Sugar Spine.

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Security -- Bag Policy: Large bags including rucksacks are not allowed. There are no facilities to leave large bags or luggage. If you really have to bring a bag -- and it's preferable you don't, please make sure it's small. Only one small bag per person is permitted and it must not be bigger than A4 size. Height: 28.7cm Width: 21cm Depth 15cm

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DF Concerts & Tenement TV presents Tenement Trail 2026 Various Venues - Glasgow Saturday 10th October 2026  For PA Tickets, please purchase your own ticket first and then email access@dfconcerts.co.uk to request this. 

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DOORS: 18:45 LAST ENTRY: 19:15 START: 19:45 We have a flexible seating plan so seating is allocated by the venue staff on the day of the show. Your seats are reserved and we'll make sure you're seated with the other people on your booking. If you'd like to be seated with someone on a different booking please contact the Glee Box Office on info@glee.co.uk or 0871 472 0400 by 5pm on the day of the show.

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Baest live in Birmingham

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Security - Bag Policy: Large bags including rucksacks are not allowed. There are no facilities to leave large bags or luggage. If you really have to bring a bag - and it's preferable you don't, please make sure it's small. Only one small bag per person is permitted and it must not be bigger than A4 size. Height: 28.7cm Width: 21cm Depth 15cm

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 Please note this show is ALL SEATED and capacity is very limited! BODYSHAKIN’ INTO THREE DECADES: 90s ICONS 911 ANNOUNCE 30th ANNIVERSARY TOUR Get ready to dust off the curtains and practice those backflips. 911, one of the most explosive pop acts of the 1990s, are officially celebrating 30 years at the top. From winning Lorraine’s The Next Big Thing in 1996 to racking up 10 million record sales, Lee Brennan, Jimmy Constable, and Simon “Spike” Dawbarn are proving that the party never stops. Between 1996 and 2000, Lee, Spike and Jimmy sold over 10 million records worldwide and were only one of five acts in the 90s to achieve 10 consecutive UK Top 10 Hit Singles (8 of which were Top 5 Hits) including fan favourite “Bodyshakin’”, “More Than A Woman”, “Love Sensation”, “Party People”, “Don’t Make Me Wait” and their Number One single “A Little Bit More”. The band officially unveils their 30th Anniversary Tour, set to hit intimate theatres across the UK throughout September, October, and November. This tour promises a high-energy journey through a decade of hit! Please note this show is ALL SEATED and capacity is very limited! Seating Ticket: £30 +(bf) Meet & Greet Ticket: £75 (limited to 28) - this includes your seated ticket Dinner & Show Ticket (includes 3 course dinner): £80 balcony and £70 non-balcony Doors open at 6pm The Jam House, Birmingham – Where music entertainment lives since 1999… Nestled in the heart of Birmingham’s historic Jewellery Quarter, The Jam House is a renowned live music venue set within a beautiful Georgian building overlooking the scenic St Paul’s Square. This award-winning destination combines live entertainment, delicious food, and unforgettable nights out, making it a must-visit spot for locals and tourists alike. Getting Here:🚗 Free Parking: Available around St Paul’s Square after 6 PM.🚆 Nearest Train Station: Snow Hill Station – just a short walk away.🚋 Nearest Tram Stop: St Paul’s – conveniently located nearby Contact: birmingham@thejamhouse.com | 0121 200 3030 |

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Security - Bag Policy: Large bags including rucksacks are not allowed. There are no facilities to leave large bags or luggage. If you really have to bring a bag - and it's preferable you don't, please make sure it's small. Only one small bag per person is permitted and it must not be bigger than A4 size. Height: 28.7cm Width: 21cm Depth: 15cm

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Security -- Bag Policy: Large bags including rucksacks are not allowed. There are no facilities to leave large bags or luggage. If you really have to bring a bag -- and it's preferable you don't, please make sure it's small. Only one small bag per person is permitted and it must not be bigger than A4 size. Height: 28.7cm Width: 21cm Depth 15cm

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Humanity's Last Breath + Guests

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Security -- Bag Policy: Large bags including rucksacks are not allowed. There are no facilities to leave large bags or luggage. If you really have to bring a bag -- and it's preferable you don't, please make sure it's small. Only one small bag per person is permitted and it must not be bigger than A4 size. Height: 28.7cm Width: 21cm Depth 15cm

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Security -- Bag Policy: Large bags including rucksacks are not allowed. There are no facilities to leave large bags or luggage. If you really have to bring a bag -- and it's preferable you don't, please make sure it's small. Only one small bag per person is permitted and it must not be bigger than A4 size. Height: 28.7cm Width: 21cm Depth 15cm

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Brudenell Presents... After the success of his 2022 EP Le Piano, Donny Benét returns with the next chapter in his instrumental series: Il Basso. Paying tribute to the bass this time—the foundation, the glue, and at times the undeniable boss of music—Il Basso showcases Donny’s passion for the bottom end. To celebrate, Donny will be taking Il Basso on tour, performing it live alongside all your favourite Benét classics. Expect an evening overflowing with passion, heat, and virtuosity from Don and his band

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Brudenell Presents... James McMurtry The Black Dog & the Wandering Boy A Lone Star sheriff hunts quail on horseback and keeps a secret second family. A mechanic lies among the spare parts on the floor of his garage and wonders if he can afford to keep his girlfriend. A troubled man sees hallucinations of a black dog and a wandering boy and hums "Weird Al" songs in his head. These are some of the strange and richly drawn characters who inhabit James McMurtry's eleventh album, The Black Dog & the Wandering Boy. A supremely insightful and inventive storyteller, he teases vivid worlds out of small details,setting them to arrangements that have the elements of Americana-rolling guitars, barroom harmonies, traces of banjo and harmonica-but sound too sly and smart for such a general category. Funny and sad often in the same breath, the album adds a new chapter to a long career that has enjoyed a resurgence as young songwriters like Sarah Jarosz and Jason Isbell cite him as a formative influence.    As varied as they are, these new story-songs find inspiration in scraps from his family's past: a stray sketch, an old poem by a family friend, the hallucinations experienced by his father, the writer Larry McMurtry. "It's something I do all the time," he says, "but usually I draw from my own scraps." As any good writer will do, McMurtry collects little ideas and hangs on to them for years, sometimes even decades. "South Texas Lawman" grew out of a line from a poem by a friend of the McMurtry clan, T.D. Hobart. Driven by gravelly guitars and a loose rhythm section, it's a careful study of a man whose feelings of obsolescence motivate him to take drastic action in the final verse. "Dwight'd stay at our house way back in the '70s, when we lived in Virginia. During one visit he wrote this poem about his father's attitude toward South Texas. He wrote it down on cardboard, and I came across it recently. There was a line about hunting quail on horseback, and that was the seed of the song. I've lost the poem since then."    The rumbling title track, a kind of squirrelly blues, features two mysterious figures who appear only to those slipping from reality, yet it's never grim nor especially despairing. Instead, McMurtry namechecks a "Weird Al" deep cut and depicts a tortured soul who doesn't have to work a nine-to-five. He finds a defiant humor in the situation at odds with the gravity of the source material. "The title of the album and that song comes from my stepmother, Faye. After my dad passed, she asked me if he ever talked to me about his hallucinations. He'd gone into dementia for a while before he died, but hadn't mentioned to me anything about seeing things. She told me his favorite hallucinations were the black dog and the wandering boy. I took them and applied them to a fictional character."    Soon McMurtry had enough of these songs for a new record. "It happened like all my records happened. It'd been too long since I'd had a record that the press could write about and get people to come out to my shows. It was time." What was different this time was the presence of his old friend Don Dixon, who produced McMurtry's third album, Where You'd Hide the Body?, back in 1995. "A couple of years ago I quit producing myself. I felt like I was repeating myself methodologically and stylistically. I needed to go back to producer school, so I brought in CC Adcock for Complicated Game, and then Ross Hogarth did The Horses & the Hounds. It seemed natural to revisit Mr. Dixon's homeroom. I wanted to learn some of what he's learned over the last thirty years." During sessions at Wire Recording in Austin, McMurtry observed firsthand Dixon's grasp of digital recording technology as well as his instinctual approach to tracking. "What Don's really good at is being able to sense when it's happening. He can hear when it's going down. If I'm producing myself and I don't have him, I have to do three takes and then go in and listen to them. Listening to those three takes can take about 15 minutes. So Dixon's ability to know when it's happening is crucial, because it can cut 15 minutes out of the day. That can really save a session, because you only have so many hours in the day and only so much energy.   Working with McMurtry's trusted backing band-Cornbread on bass, Tim Holt on guitar, Daren Hess on drums, BettySoo on backing vocals-they worked to create something that sounds spontaneous, as though he's writing the songs as you hear them. They were open to odd experiments, weird whims, and happy accidents, such as the cover of Jon Dee Graham's "Laredo" that opens the album. It's an opioid blues: testimony from a part-time junkie losing a weekend to dope. "We were playing a benefit for Jon Dee at the Hole in the Wall there in Austin, and we thought it'd be good if we played one of his songs. We rehearsed the song in the studio, and it sounded good. The drums were ready. We'd already got the sounds up. Might as well record it."    "Laredo" is one of a pair of covers that bookend The Black Dog & the Wandering Boy, the other being Kris Kristofferson's "Broken Freedom Song." "I did that one a few weeks after our initial sessions. It was just me and BettySoo, then we added drums and bass later on. Kris had just passed not too long before we recorded it. I guess that's why I was thinking about him." Like Hobart's poem, it's a bit of inspiration excavated from deep within his own life. "Kris was one of my major influences as a child. He was the first person that I recognized as a songwriter. I hadn't really thought about where songs came from, but I started listening to Kristofferson as a songwriter and thinking, How do you do this? He was actually the second concert I saw. I was nine. He and the band were having such a good time, and that really solidified for me that this was what I wanted to do with my life."   Once the album was mixed, mastered, and sequenced, McMurtry recalled a rough pencil sketch he had found a few years earlier in his father's effects. It seemed like it might make a good cover. "I knew it was of me, but I didn't realize who drew it. I asked my mom and my stepdad, and finally I asked my stepmom, Faye, who said it looked like Ken Kesey's work back in the '60s. She was married to Ken for forty years." The Merry Prankster's-Kesey's roving band of hippie activists and creators-stopped by often to visit Larry McMurtry and his family. "I don't remember their first visit, the one documented in Tom Wolfe's Electric Kool-Aid Acid Test. I was too young, but I do remember a couple of Ken's visits. I guess he drew it on one of those later stops. I remembered it and thought it would be the perfect art, but I had to go back through the storage locker. It's a miracle that I found it again."    It's a fitting image for an album that scavenges personal history for inspiration. Even the songwriter himself doesn't always know what will happen or where the songs will take him. "You follow the words where they lead. If you can get a character, maybe you can get a story. If you can set it to a verse-chorus structure, maybe you can get a song. A song can come from anywhere, but the main inspiration is fear. Specifically, fear of irrelevance. If you don't have songs, you don't have a record. If you don't have a record, you don't have a tour. You gotta keep putting out work." 

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Doors: 18:00 Show: 19:00 Curfew: 22:30 Security - Bag Policy: Large bags including rucksacks are not allowed. There are no facilities to leave large bags or luggage. If you really have to bring a bag - and it's preferable you don't, please make sure it's small. Only one small bag per person is permitted and it must not be bigger than A4 size. Height: 28.7cm Width: 21cm Depth 15cm

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Stand-up comedian Sandro Ford is heading out on his first ever UK and Ireland tour, and it’s a big one. Titled Lager Than Life, this debut run brings Sandro’s unmistakable voice, sharp observations, and pub-bred storytelling to stages across the country. Co-Host of the smash hit ‘Problematic Pub Podcast’ and as seen on ‘Have A Word’, ‘Dead Men Talking’, and ‘Hot Water Green Room’, Sandro has quickly made a name for himself as a comic who tells it how it is. His comedy is rooted in real life — growing up, getting older, bad decisions, worse hangovers, and the sort of characters you only ever meet in or around a pub. Honest, self-aware, and unapologetically funny, his material feels lived-in and instantly relatable. Lager Than Life is a celebration of nights that spiral, mates who never change, and the quiet chaos of everyday British life. Sandro’s relaxed delivery and natural crowd connection allow his punchlines to land effortlessly, turning familiar situations into moments of pure comedy. One minute he’s dissecting modern masculinity, the next he’s deep into a story that probably should’ve stayed off record — but you’re glad it didn’t. This tour marks the next step for a comic firmly on the rise, bringing his most personal and hard-hitting material yet to live audiences. Whether you’ve followed his podcast appearances or are discovering him for the first time, expect big laughs, brutal honesty, and stories that hit close to home. So get a drink in, find your seat, and brace yourself. With Sandro Ford, it’s always Down the Hatch. Lovelyyy

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Doors 6.30pm Show 7.30pm Curfew 11pm

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Please note that all tickets will be on collection, at the venue, on the evening of the show.

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Before you purchase your tickets, make sure to check out our Event FAQs for all the important info — including entry requirements, accessibility options, and what to bring: https://www.leedsbeckettsu.co.uk/faqs/ If you still have questions after reading the FAQs, feel free to get in touch with our team at lbsu-welcome@leedsbeckett.ac.uk Please also note that this event is strictly age-restricted for those 14 and above, and children under 14 must be accompanied by an adult.

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Doors 19:00

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AEG Presents...   Look up. Look around you. What do you see? A row of commuters, lost in their phones. People in pubs looking at small screens, sat under bigger screens. We were sold the possibility of infinite connection, but all it really did was pull us further apart. Because in the modern world, there’s no more alluring temptress than technology and she’s rarely, truly on your side. When Galway-born, London-based alternative quartet The Clockworks wrapped up touring for their debut album, 2023’s ‘Exit Strategy’, they concluded a game-changing period of their lives that was buoyed by a greater sense of community than ever. That record had cemented the importance of their move to the capital. Not only had it led to them working with Bernard Butler on the album, but it had also set off a domino chain of pinch-me events that saw them tick off support tours with some of their heroes. In 2022, they were taken on the road in the US by Pixies; last year, they wrapped up a string of dates with Johnny Marr.  The latter was so enraptured by the band that he would wander around the venue corridors, loudly singing their songs. “We were playing with these people who are the reason we play music. It makes you feel like you've realised something that you always wanted to do as a musician: forming bands, making albums, being able to shake the hands of people who’ve meant so much to you and tell them that,” recalls Tom Freeman.  It was a monumental time for The Clockworks - completed by James McGregor, Sean Connelly, and Damian Greaney - but when they stepped back into the writing room, they soon had the instinct to turn their focus elsewhere. The new material that swiftly began pouring out of McGregor was rooted in a very clear and distinct world that looked outside of their creative bubble and saw a society wrestling with an increasing isolation born from shiny new toys and bright lights. The framework of ‘The Entertainment’ came intuitively and fast. “We had this really strong identity for the album from the start,” explains McGregor, “which meant that we could then spend so much time on the details. It’s like if you have all the beats of the film, then you can tell the actors to go and improv between them.” The Clockworks are calling their second record not so much a concept album as - cleverly - “a work of friction”. “Friction is the best word because the whole album seems to be filled with push and pull, black and white,” continues Freeman. “There's such a conflict and contrast between everything. Even just recording the music, we did it all separately and then put it back together.” In stark contrast to their debut, which had been laid down with Butler in a flurry of activity, running on snap decisions with no time to look back, ‘The Entertainment’ was produced by Sean Connelly, recorded over a period of months and using almost meta techniques to mirror the jarring conceits inside. “We had the idea to record in a way that was in keeping with what the album is talking about, and to try and do it in isolation completely. We wanted creatively to turn in and see what we could do without anyone looking at it, as a trust fall exercise for the four of us,” explains McGregor. Not only would the band eschew any outside voices, they would also record their own parts in isolation. “So then when we did bring them all together, the parts had all this tension to play with,” the frontman says. With Freeman and Connelly having massively upscaled their production abilities in the years since ‘Exit Strategy’, the band began slowly chiselling away at the raft of ideas they’d accumulated, carving out a sonic landscape for ‘The Entertainment’ built around tension and release; moments of darkness juxtaposed with glimmers of light. A raft of cinematic inspirations were on the moodboard: Bladerunner, Drive, the works of Fellini. Setting the tone for a project steeped in “the sheen and slickness that slams against the ugliness and depravity of Hollywood”, their influence was integral, as evidenced by a trio of songs on the record - ‘La Dolce Vita’, ‘The Magnificent Seven’ and ‘True Romance’ - named directly after films. When they were fine-tuning darkly anthemic recent single ‘Well Well Wellness’, meanwhile, they played the demo alongside clips from The Bear. “We knew we were on to a winner because the song was sounding how we thought the show looked and felt, and that’s a show about life and being human,” says Freeman. Musically, meanwhile, nothing was off limits for the quartet. “Our first album was pretty much four lads in a room making noise, but this album has so much piano, synths, string arrangements, found sounds, weird noises…” McGregor explains. “We grew up with The Strokes and The Libertines, but we have too much interest in other things to contain ourselves to that.” Ask The Clockworks to list a fraction of their listening habits and they’ll reel off everything from Little Simz to Ennio Morricone to Beach House and AG Cook. ‘The Entertainment’’s rattling opening track ‘How To Exist’, McGregor explains, was influenced by the energy of Simz and Kendrick Lamar. A manifesto of sorts, it transports the listener to the beginning of a journey that slowly moves through headspaces and moods. The melancholy self-delusion of ‘Best Days’ details a relationship already doomed to fail, while ‘La Dolce Vita’ begins with an opening image lifted directly from the 1960 Fellini film: “The floor is shaking and the walls are sticky / Someone said that Jesus took a chopper out the city”. “It sets up this idea of the death of religion, the death of values and what’s coming in to replace that,” McGregor suggests. By the album’s midway point, we’ve reached ‘The Magnificent Seven’, a pulsing electronic highlight that sounds like Franz Ferdinand covering Sleaford Mods. Its titular concept is one of the record’s cleverest moments - a looping together of the old Western classic and the modern West with its billionaire corporations into one hellish whole. “I heard an economist mention The Magnificent Seven in reference to Apple and Microsoft and the big tech giants,” McGregor explains. “In the film, the cowboys are there to liberate the village, so the irony of the Big Seven companies and their messiah complexes [felt apt].” Throughout, the instrumentation and production hones in on this narrative. ‘How To Exist’ begins with “vocal production tricks and a thousand instruments that could never be played exactly like that by the four of us in a room”; the final notes of ‘The Entertainment’’s title track were recorded live, in one take, with all the pops and background noise left in. “It’s not that we saw the light and in the end, you know, you just have to sit with the guitar!” McGregor notes with a laugh, but there’s a tangible point about finding real human connection that sits just below the surface. On the record’s artwork, the band are seated in a cinema screen, replicating an old LIFE Magazine cover featuring the first theatre to show 3D films. Back then, the technology seemed fantastical; now, we can see people putting a blinker around their vision - the start of many to come. With their second, The Clockworks are highlighting that duality but they’re also offering a tangible reason to support the alternative: a group of mates, making music to get you off a screen and into the world. That, after all, is really entertainment.

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Security - Bag Policy: Large bags including rucksacks are not allowed. There are no facilities to leave large bags or luggage. If you really have to bring a bag - and it's preferable you don't, please make sure it's small. Only one small bag per person is permitted and it must not be bigger than A4 size. Height: 28.7cm Width: 21cm Depth: 15cm

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Super Friendz Presents Alice Costelloe London based Alice Costelloe - formerly of critically acclaimed shoegaze duo Big Deal (Mute Records) and previously live bassist for Superfood - comes to Leeds for her first headline show in the city. Signed to cult UK label Moshi Moshi Records and working with super-producer Mike Lindsay (Lump, Tunng), she will release her debut album 'Move On With The Year' February 2026. A break-away record beguiling art-pop built on self trust, instinct, and a necessary process of creative detangling, the album rejects the indie-rock lineage Alice came up in, trading guitar solos for mellotron, taishogoto and flute lines recorded mid-lesson, trusting imperfection as the truest form of expression. 

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Apollo Junction Presents... Leeds-based quintet Apollo Junction is made up of Jamie Williamson (singer) Matthew Wilson (guitarist), Ben Hope (bassist), Jonny Thornton (drummer) and Sam Potter (keyboards). Their shared love of live music and dedication to performing, coupled with an incredible hard-work ethic has taken them on this magical journey which has included support slots for Shed Seven, Kaiser Chiefs, Richard Ashcroft and performing at festivals including the prestigious Isle of Wight Festival. Coming up this summer, the lads will be playing with Blossoms, Manic Street Preachers and Doves. Apollo Junction are known for their electrifying live performances and genre-blurring sound, the band has captured the hearts of music enthusiasts worldwide. With a strong and dedicated fan base, Apollo Junction continues to push the boundaries of their craft, creating music that resonates on a profound level. Apollo Junction’s new album ‘What in the World’ has been years in the making - born from highs, lows, countless gigs, and all the chaos in between. It’s the most honest version of the band yet, a record shaped by every late-night argument, every breakthrough, every crazy story they have ever told each other. For this album - We went looking for meaning and realised it was right in front of us: the band, the songs, this record. ‘What in the World’ isn’t just a title—it’s the answer we’ve been chasing all along.

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Access Information The Union building – although challenging, is accessible with lift access across all floors of the venue and accessible gender-neutral WC’s available in each venue. The Union building is set-out on six levels but there is either ramped or lift access to every level with the distance from the main entrance to the furthest part of the venues approximately 200 metres. We have drop-down bars in all of our venues.  Bookings & Ticketing The LUU Stylus venue has limited space for accessibility. Accessibility tickets are only purchasable through the LUU Stylus website and once these tickets have been sold, we cannot accept any further accessibility requests. If you require Accessibility tickets and these are no longer available, please do not purchase a GA ticket and expect to be accommodated as these will be refused. This is a strict policy to make sure the venue is safe for all customers. Tickets will be verified on the door so please be aware that if you have bought an access ticket and do not have access requirements, you will be refused entry to the venue. Accessible Viewing Platform: All of our venues have a designated accessible viewing area. Please note: there is limited space in this area, and it is reserved on a first come, first served basis. Wheelchairs: We have space for 4 wheelchairs per event in our venues. Please note: there is limited space in this area, and it is reserved on a first come, first served basis. Priority Entry: This will allow you access 15 minutes early entry prior to doors, so you can find a suitable position that is comfortable for you. We also provide this for all seated and wheelchair spaces.  Seated Spaces: We can provide seated spaces for anyone who needs them. Please note that any companions will not automatically be provided a seated ticket, as these are of limited availability, we always reserve these for those with accessibility needs. Companions are however welcome to stand in the seated area.  Customers With Medical Needs: We welcome attendees who need to bring medicines, food or drink to manage medical conditions, or medical equipment. Please contact our access team if you have any concerns. Assistance Dogs: We are proactive on the use of assistance dogs and can provide water and other facilities should you require them. Strobe Lighting: The venues do include strobe lighting and other ‘flash-based’ effects as standard. In addition, as many of our events include aspects of ‘toured production’ – which are outside of the venue’s control, we urge you to contact us for more information on an event-specific basis at the earliest opportunity. Toilets: We have an access toilet on almost every floor of the building. All of our toilets are accessible by lifts, which means whichever venue you’re in, you’re never far from your nearest accessible toilet. Baby Changing Facilities: Our accessible toilets are equipped with baby changing facilities. We also have a dedicated changing place.

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To purchase accessible tickets please click purchase link below. For further information please visit help.ticketmaster.ie You can now update your accessible information in "My Account" The Telegraph Building venue offers an accessible area at the front of the stage with a front row view of the performance. The venue is all on one level with no stairs or access impediments. There are accessible toilets located in the bar area. If you have any questions, please do not hesitate to contact us on accessibility@shine.net

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To purchase accessible tickets please click purchase link below. For further information please visit help.ticketmaster.ie You can now update your accessible information in "My Account""

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To purchase accessible tickets please click purchase link below. For further information please visit help.ticketmaster.ie You can now update your accessible information in "My Account""

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To purchase accessible tickets please click purchase link below. For further information please visit help.ticketmaster.ie You can now update your accessible information in "My Account""

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Recommended for age 12 years upwards. However, this is just a recommendation, parental discretion is advised. Not suitable for wheelchairs due to ground conditions 

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Recommended for age 12 years upwards. However, this is just a recommendation, parental discretion is advised. Not suitable for wheelchairs due to ground conditions 

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Recommended for age 12 years upwards. However, this is just a recommendation, parental discretion is advised. Not suitable for wheelchairs due to ground conditions 

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Recommended for age 12 years upwards. However, this is just a recommendation, parental discretion is advised. Not suitable for wheelchairs due to ground conditions 

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Recommended for age 12 years upwards. However, this is just a recommendation, parental discretion is advised. Not suitable for wheelchairs due to ground conditions 

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Recommended for age 12 years upwards. However, this is just a recommendation, parental discretion is advised. Not suitable for wheelchairs due to ground conditions 

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Recommended for age 12 years upwards. However, this is just a recommendation, parental discretion is advised. Not suitable for wheelchairs due to ground conditions 

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Recommended for age 12 years upwards. However, this is just a recommendation, parental discretion is advised. Not suitable for wheelchairs due to ground conditions 

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Recommended for age 12 years upwards. However, this is just a recommendation, parental discretion is advised. Not suitable for wheelchairs due to ground conditions 

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Recommended for age 12 years upwards. However, this is just a recommendation, parental discretion is advised. Not suitable for wheelchairs due to ground conditions 

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Recommended for age 12 years upwards. However, this is just a recommendation, parental discretion is advised. Not suitable for wheelchairs due to ground conditions 

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Recommended for age 12 years upwards. However, this is just a recommendation, parental discretion is advised. Not suitable for wheelchairs due to ground conditions 

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Recommended for age 12 years upwards. However, this is just a recommendation, parental discretion is advised. Not suitable for wheelchairs due to ground conditions 

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Recommended for age 12 years upwards. However, this is just a recommendation, parental discretion is advised. Not suitable for wheelchairs due to ground conditions 

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Recommended for age 12 years upwards. However, this is just a recommendation, parental discretion is advised. Not suitable for wheelchairs due to ground conditions 

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Recommended for age 12 years upwards. However, this is just a recommendation, parental discretion is advised. Not suitable for wheelchairs due to ground conditions 

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FORM & JOY Present YONAKA + Special Guests  Age Restrictions: 14+ (U16s accompanied by an adult)

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Meet & Greet Doors: 18:30 Doors: 19:00 Start: 20:00

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FORM Presents ULRIKA SPACEK + Special Guests 

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To mark their first original album in almost two decades, The Lemonheads tour ‘Love Chant’ in 2026.  Please note, this event is 14+ (under 16s must be accompanied by someone 18 or over). PLEASE READ OUR BAG POLICY AND FAQS BEFORE ATTENDING 

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Security - Bag Policy: Large bags including rucksacks are not allowed. There are no facilities to leave large bags or luggage. If you really have to bring a bag -- and it's preferable you don't, please make sure it's small. Only one small bag per person is permitted and it must not be bigger than A4 size. Height: 28.7cm Width: 21cm Depth 15cm

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Security - Bag Policy: Large bags including rucksacks are not allowed. There are no facilities to leave large bags or luggage. If you really have to bring a bag - and it's preferable you don't, please make sure it's small. Only one small bag per person is permitted and it must not be bigger than A4 size. Height: 28.7cm Width: 21cm Depth: 15cm

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The Long Ryders, pioneers of the Alt-Country movement, return to the stage with the same fiery spirit that first made them legends. Fusing punk energy with country-rock harmonies, the band bridged the gap between Gram Parsons and today’s Americana heroes, influencing acts such as Wilco, The Jayhawks, and Uncle Tupelo. Rising from the Los Angeles scene, The Long Ryders made their mark with acclaimed albums including Native Sons and State of Our Union, featuring the alt-radio classic “Looking for Lewis & Clark.” Their sound—12-string guitars, heartfelt songwriting, and a raw, roots-driven edge—helped define a generation and inspire a movement. Following their celebrated 2019 release Psychedelic Country Soul, the band returned to the studio to craft September November, their first album since the passing of bassist Tom Stevens. Still a thrilling live force, The Long Ryders deliver shows packed with history, heart, and unrelenting energy. Saddle up—don’t miss the ride. This event is 16 and over. Any ticket holder unable to present valid identification indicating that they are at least 16 years of age will not be admitted to this event, and will not be eligible for a refund. 

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Greg Coulson is a British musical powerhouse - an expressive singer-songwriter and dynamic performer who blends soul and classic rock with the groove of blues, funk and jazz. Known for his mesmerising stage presence and unique sound, Greg has quickly established himself as one of the UK’s most exciting and versatile musicians. In 2018, Greg made waves with his debut album, What’s New?, which received widespread critical acclaim and sparked memorable performances at top UK festivals. His music captures both depth and energy, resonating with fans who crave authenticity and world-class musicianship. Audiences often remark Greg’s live performances are like watching musical magic happen in front of their very eyes! Beyond his solo work, Greg has collaborated with some of the industry’s greatest legends such as the iconic Burt Bacharach. His impressive résumé also includes celebrated artists: Morcheeba, The Blockheads, The Selecter, Lilly Moore, Tom Grennan, and Sway. As a member of renowned rock band Spiritualized, he has graced stages across America, even opening for the legendary Queens of the Stone Age. Currently pushing his original music to new limits, and crafting a brand new album, Greg has performed at leading venues and events including Ronnie Scott’s, Isle of Wight Festival, Coachella, Camp Bestival, PizzaExpress Live, Riot Fest, Upton Blues Festival and The Great British R&B Festival. Greg is currently a collaborator for Guitar World, one of the world’s most respected resources for guitarists, with a reach of 3.8 million players each month. An experienced producer and noted talent on both keyboards and guitar, Greg’s artistry is inspired by the timeless work of Steely Dan, Randy Newman, Little Feat, Ray Charles, Booker T., and Dr. John. Hailing from an accomplished West End theatre background, Greg captivates audiences with his animated Hammond organ solos, deeply expressive songwriting and soulful vocal ability. His unique fusion of genres and outstanding musicianship set him apart from the rest, laying the path for a very exciting career ahead for this admirable world-touring performer.  For fans who appreciate quality music, Greg Coulson is an artist who never disappoints. This event is 16 and over. Any ticket holder unable to present valid identification indicating that they are at least 16 years of age will not be admitted to this event, and will not be eligible for a refund. 

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London’s The Hanging Stars return with their sixth album, Just A Day – a dazzling collection of four-part harmonies, shimmering twelve-string guitars and chiming songs, touching on themes of longing, new beginnings and the fragility of the everyday. Recorded at Edwyn Collin’s legendary Clashnarrow Studios in the Scottish Highlands, the album marks a bold new chapter for the band, produced with the invaluable guidance of Teenage Fanclub’s Gerard Love.  A line-up change at the end of 2024 proved to be a galvanising moment for The Hanging Stars. “We needed to rethink things,” says guitarist Patrick Ralla. “A new leaner approach – bass, drums, guitars, four-part harmonies. Certainly worked for The Byrds, Big Star and Teenage Fanclub.” The result is a wonderfully energising record full of catchy hooks and a renewed vision. The songs are designed to take the listener away from it all… even if it's just for a little while. Central to the record’s new direction was the involvement of Gerard Love – one third of Teenage Fanclub’s celebrated songwriting trio and the artist behind Lightships. Starting from demos exchanged between Glasgow and London, Love helped the band strip things back to their essence, ever so gently guiding them toward their finest work to date. He also joined the band for a week of recording, contributing vocals, arrangement ideas and by all accounts a mean vegan curry.  Just A Day is The Hanging Stars’ third album to be recorded at Clashnarrow Studios, Helmsdale located in the most idyllic setting imaginable, thirty minutes south of John O’Groats and overlooking the Moray Firth. The studio, owned and run by Edwyn Collins and Grace Maxwell, is a place the band describe with reverence: “a sort of mixture between Willy Wonka’s Chocolate Factory and the BBC’s Repair Shop”. 

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GoToBeat Presents  The Hoosiers 

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Security - Bag Policy: Large bags including rucksacks are not allowed. There are no facilities to leave large bags or luggage. If you really have to bring a bag - and it's preferable you don't, please make sure it's small. Only one small bag per person is permitted and it must not be bigger than A4 size. Height: 28.7cm Width: 21cm Depth 15cm Please note, these seats have extra leg room: Stalls, Row, A, 10-29 Stalls, Row L, 1-38 Rear Balcony, Row G, 1-33

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Security - Bag Policy: Large bags including rucksacks are not allowed. There are no facilities to leave large bags or luggage. If you really have to bring a bag - and it's preferable you don't, please make sure it's small. Only one small bag per person is permitted and it must not be bigger than A4 size. Height: 28.7cm Width: 21cm Depth: 15cm

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Triple A Entertainment Presents  The Beat Dance Crazed Too UK Tour 

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Live Nation Presents Joyce Manor Plus Special Guests Joyce Manor are California pop-punk legends and I Used To Go To This Bar is this epochal band operating at the top of their game. They continue to deliver relentlessly satisfying rock music in a manner that makes it look simply effortless. The Torrance, California-hailing trio of Barry Johnson, Chase Knobbe, and Matt Ebert are at a point in their career where their position as one of the most beloved rock bands is a foregone conclusion. Their seventh album, produced by Brett Gurewitz (of Bad Religion and Epitaph Records CEO) finds the group continuing to find rich new veins to tap in their short-and-sweet songcraft without losing an ounce of bite that gained them such repute in the first place.A bustle of activity that followed the release of 2022’s excellent 40 Oz. to Fresno and included an instantly memorable appearance on John Mulaney’s Everybody’s in L.A. and a retrospective assessment of the group’s seminal 2011 self-titled debut as part of Pitchfork’s esteemed Sunday Review series. The band’s had a whirlwind touring schedule over the last few years, which has included an outing with Weezer and multiple sold-out shows at the legendary California venues Hollywood Palladium (including a guest performance by Mark Hoppus for the fan favorite “Heart Tattoo”) and Long Beach Arena. This new record retains the band’s penchant for punchy hooks while sounding fuller, more in-your-face, and all-around bigger than ever, with an all-star crew of collaborators along for this wild ride. Along with mixing pro Tony Hoffer (M83, Beck), behind-the-boards legend Tom Lord-Alge lent his Enema of the State engineer magic to several I Used To Go To This Bar cuts, including the first single “All My Friends Are So Depressed.” The album also features a rotating cast of drummers, including touring drummer Jared Shavelson, Social Distortion’s David Hildago, Jr., and Joey Waronker—the latter of whom is currently hitting the skins for Oasis’ reunion tour.  I Used To Go To This Bar feels like a true culmination of everything Joyce Manor’s achieved thus far, further cementing their current legacy as California pop-punk royalty as well as a truly generational punk band at large. 

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Security - Bag Policy: Large bags including rucksacks are not allowed. There are no facilities to leave large bags or luggage. If you really have to bring a bag - and it's preferable you don't, please make sure it's small. Only one small bag per person is permitted and it must not be bigger than A4 size. Height: 28.7cm Width: 21cm Depth: 15cm

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Doors 19:00 Start 19:45 Curfew 23:00

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